Wilhelm Uhde

Wilhelm Uhde (1874, Friedeberg, Pomerania (now Poland) – 1947 Paris) was a German art collector, dealer, author and critic, an early collector of modernist painting, and a significant figure in the career of Henri Rousseau.

Contents

Biography

Uhde studied law in Dresden but switched to art history, studying in Munich and Florence before moving to Paris in 1904. He was one of the first collectors of the cubist paintings of Pablo Picasso and George Braque, buying his first Picasso in 1905. He met Robert Delaunay, Sonia Terk and Henri Rousseau in 1907, and opened his art gallery in 1908 where he exhibited André Derain, Braque and Picasso. Uhde commissioned Picasso to paint his portrait (1909) and produced the first monograph on Rousseau in 1911.[1]

Uhde and Terk married 1908 in London, reportedly a marriage of convenience which masked his homosexuality. They divorced 1910 and Terk married Robert Delaunay.[1]

At the outbreak of World War I, many German nationals living in France had their possessions sequestered by the French state. As a result, Uhde's collection was confiscated in 1914 and sold by the government in a series of auctions at the Hôtel Drouot in 1921.[2]

From 1919-1920, Uhde worked with Helmut Kolle and lived with him in Chantilly, France. Uhde was active as a pacifist in Weimar Germany, but returned to France in 1924, moving to Chantilly in 1927. A Jew, he spent the Second World War in hiding in southern France, at one point helped by the art critic and resistance leader Jean Cassou.

The Sacred Heart painters

Uhde is also known as the principal organiser of the first Naive Art exhibition, which took place in Paris in 1928. The participants were Henri Rousseau, André Bauchant, Camille Bombois, Séraphine Louis and Louis Vivin, known collectively as the Sacred Heart painters. Séraphine Louis had been Uhde's housecleaner, whose work he had discovered and sponsored from 1912 to 1930.

Writings

Legacy

A significant part of Uhde's life story is told in the 2008 French film Séraphine by director Martin Provost, focusing on the encounter and subsequent role of Séraphine Louis in his life and he in hers. The film won seven César Awards, including Best Film.

References

  1. ^ a b "Dictionary of Art Historians". http://www.dictionaryofarthistorians.org/uhdew.htm. 
  2. ^ Malcolm Gee, "Dealers, Critics and Collectors of Modern Painting; Aspects of the Parisian Art Market Between 1910 and 1930", Courtauld PhD Dissertation 1977, p25